Garden Vignettes - A Suite of Tunnel Books Inspired By My Gardens

These four prints were the images that would become the 'Garden Vignettes'. I love the blues!

Cutting away spaces within the prints to create the pages for each book. 

Finch in the Garden is completed. I will make a few adjustments for the books, but am excited with this result!

View fullsize

Models for the book covers. The one on the right worked the best (the spine is a bit deeper and the cover is a bit wider). 

A completed closed cover.

Colophon and a bit of collaged embellishment have been added to Finch in the Garden; now to assemble and add the wrap.

I completed a group of small relief prints based on 'happenings' in my gardens. I then used them in a group of small tunnel books with case bindings. It proved to be a beneficial way to bring image and book form together.

I printed numerous prints, since I would need at least five prints of each image for each tunnel book.

After cutting separate pages for each book I experimented with various papers for the sides of the books. Accordion folded pages are used for this. Bugra paper worked the best so I used it. I was then ready to glue and assemble the first book; which served as a model.

Four are assembled - so pleased! I must now design a cover for the books. I plan on using a case binding. I will explore sizes and materials through building a model (or two).

I chose a delicate pattern in a Japanese paper for the covers. The blues were exactly what I wanted to match the blues of the garden prints.

I have completed a book using each image. I then set a bit of type in 12pt. Garamond for the colophon and 'belly' wrap for the books.

Printing the colophon on Mohawk Superfine. I will also use this paper for the 'belly' wrap.

Working out the dimensions for and assembling a wrap.

I  like how the 'belly' wrap holds the little books together and gives them a finished presentation.

Using Fabric to Cover Books and Boxes Part 2: Hinged Boxes

Trays constructed; now for a bit of sanding and then to cover and assemble!

I used the golden dragonfly patterned fabric with this interior and case.

An all important step in  making a box  - nipping - applying a bit of pressure when joining the box to the case (what will become the box cover).

Designing and building boxes is another way that I use fabric I have backed with Kozo paper. I enjoy personalizing boxes in this way.

I wrapped this tray in Bugra paper - the color works well with these fabrics.

Playing around with another color combination - so much fun!

They are almost finished. I am letting them dry with weights. This step helps secure the joining of the tray and case. The papers in the foreground will be cut down and applied to inside of the box top.

They are  finished; ready to hold special objects and mementoes!

Using Fabric to Cover Books and Boxes Part I: Coptic Books

Fabric backed with kozo paper; ready to use!

Carving recessed areas in the Davey board for windows.

Working on a second cover using the blue dragonfly imagery.

Sewing - adding the last section! I love how the stitching looks on the book's spine!

Adding the back cover; this book is almost finished!

I sometimes back fabric and then use it to cover books or boxes. I recently completed a suite of Coptic books and hinged boxes covered with fabrics purchased while traveling in Paris. 

I will focus on designing and sewing the Coptic books in this post.

Selecting bits of ephemera to use with the books.

Covered book exterior using dragonfly fabric and ephemera; interior covered with cork paper.

Multiple books of various sizes - text blocks cut and folded! I am now ready for sewing.

Starting to sew a Coptic book - using four needles!

Completed books using vintage buttons and waxed linen thread for closures!

Birds in the Garden Prints

Carving 'Wrens in the Beautyberry'.

'Birds in the Beautyberry' on cork paper - love this!

Carving a pair of chickadees perched in a Ginkgo tree.

I completed two small linocut prints during the Spring. Both were inspired by the birds that frequent my yard. I included two birds in each print perched on branches. I am most satisfied with the results and want to do additional prints using pairs of birds.

I printed a small edition using Rives BFK paper; and began the edition by printing a blue mat.

The carved block inked up; editioning the print.

Completed print - so happy with this print.

These two prints were most rewarding to draw, carve, and print. Indeed, more images with pairs of birds are in the works!

Spring Inspired the Carving and Printing of New Relief Prints

The beginning stages - I am carving out what will remain white on thie print. 

Carving continues; developing the image.

It is always satisfying as the registration of color and form come together when completing a reduction print!

Spring's arrival prompted me to take a look at several drawings I had worked on during the Winter. I had completed a drawing of a Barred Owl; and decided it would work well as a reduction print. Here is a look at how I proceeded with Barred Nocturne.

The image is taking shape after two printing runs using  variations of gray; ghost-like at this point.

Color intensifies as I move from gray to blue, so exciting!

Printing on Fabric - New Possibilities

Owl printed on cotton muslin.

Printing the birds on cotton muslin.

Purses are sewn up - adding the button closure.

I recently began experimenting with printing on fabric. It is fun and not nearly as difficult as I would have imagined. Additionally, the process and products allow me to explore my love for printing, fabric, and sewing. Here are some of the items I am currently producing.

I printed several birds on cotton muslin. I then sewed them to cotton canvas bags....so much better than paper or plastic! 

I then decided to carve and print smaller birds. My plan was to design a small purse using printed cotton fabric and attach the smaller birds to these. 

Various fabrics and printed birds - ready to put it all together!

Cutting out and playing around with placement.

Various fabrics and birdies - working on multiples.

Purses with birds - all sewn up and ready for use! 

These items using printing, sewing, and fabric have been fun to design and make. I will continue working with these ideas and materials; exploring new ways to bring them together!

Love of Snail Mail Inspires Greeting Cards

Coneflower; will become a birthday card; printed on Lettra paper.

Greetings printed using handset metal type. I will fold and package once dry.

Thank you!

Chirp! (Yes, a bit of whimsy with this one!)

I love receiving letters, cards, postcards, or handwritten notes in the mail. I especially adore the handmade card! Consequently, when I set up my print shop a few years ago; I began designing and printing greeting cards. I have just completed a new 'Spring Line' of cards. It has been such fun designing, carving relief blocks, and printing these cards. Take a look.

Little bird's head on striped mat - will become a thank you card; printed on chip board.

Card editions drying.

I completed several additional cards using a colored and/or patterned mat, relief print, and handset type. I enjoy making greeting cards, as well as the customers who purchase them!

Thinking of you...

A variety of greeting cards!

A New Artist Book Using the Tunnel Book Structure

Carving the linoleum block for the relief print.

Proofing the print in my studio.

Second run - printing the garden image in a indigo blue.

The layers are all cut - the book's pages are complete. Now for printing the text!

I printed the text on handmade cotton rag paper which I made a couple of years ago using cotton khaki trousers.

Welcome to The Garden! The book is assembled (view 1).

I recently completed a new artist book entitled The Garden. It is a tunnel book structure. I began the book by sketching images of my gardens. I then chose a sketch to transform into a relief print which I printed on my Vandercook SP 15. I printed multiple prints so that I could cut and layer the book's interior image. The viewer looks into these layers when experiencing the book. I added a bit of text which I also printed on my letterpress. The colors are shades of blue and the cover is adorned with painted papyrus. Here are some pictures of the book being made.

First run on the Vandercook - a blue mat. I used Stonehenge paper, quite nice for printing.

Cutting away areas to make the layers pages.

Setting the text, using Garamond 12 pt. metal type

Painting the papyrus covered davey board with layers of milk paint.

Sanding the milk paint layers to reveal the papyrus. I wanted the covers to look like an old door or gate. The viewer opens these to 'walk' into the garden.

Note how the side panels of a tunnel book are accordion folded papers. This allows for the layering of the book pages and their forward extension (view 2).

The interior layered pages of The Garden (view 3).

A good bit of work went into this book. It was worth it to create this tribute to my gardens. They are a source of inspiration - my daily destination!

Carved Wooden Coptics

Carving and sanding the covers.

Painting multiple coats of milk paint; starting with white.

Sanding through the paint layers; a most arduous task!

The text blocks are assembled and the sewing stations have been added using an awl - the books are now ready for sewing!

All the books are sewn (a total of four)! 

The leather and wood closures work well as a way to hold the books together.

I recently completed a suite of miniature wooden Coptic books. I am continually inspired by nature; particularly ephemeral objects such as leaves, pods, dried flowers, nests, shells, insect wings, feathers.  Oh the list goes on! For these small books I focused on leaves. I carved simple leaves on the front covers. I then applied multiple layers of milk paint in shades of blue and green. When milk paint is sanded and polished; it has a distressed and aged quality.  I used Mohawk Superfine and Ingres papers for the text blocks and sewed the books with waxed linen threads. I used leather and wood for the closures. Take a look at the process.

Adding additional coats - first blue; then green.

Holes have been drilled determining the sewing patterns I will use. Now, I am selecting the various papers for the text blocks. 

Sewing using two needles and waxed linen thread.

I love how the sewing looks on the spine of Coptic books. Some were four needle bindings, while others were two needle. 

Opened Book

These books are so much fun to open and handle. Their interior pages can remain blank or hold text and imagery. The possibilities are endless!

Investigating the Book, January Term 2016

Paste Paper

Pattern Stamping Using Carved Erasers

Backing Fabric with Paper - Urauchi

Pamphlet Books With Stamped Covers

Accordion Book With Painted Images

Each of us (myself included) completed a suite of prints to exchange - we bound them into a Japanese stab binding like this.

Student Print on Rives BFK Paper

Four Needle Coptic Book with Wooden Covers

I taught a book arts course at Guilford College during their January Term 2016. My students explored various types of book and print making. Take a look at their accomplishments. It is worth noting that they had never made books prior to this class; hard to believe!

Gel Printing

Sewing a Coptic Book

Sewn Two Needle Coptic Books

Accordion Book With Collaged Images

Two Needle Coptic Binding With Wooden Covers

Four Needle Coptic Book With Backed Fabric and Sewn Embellishment on Covers

Tunnel Book Structure with Painted Images

As you can see, these students worked hard and produced exciting work.  I am truly proud of their accomplishments! Truth be told; I learned as much as they did - isn't that one of the 'perks' of teaching?!?

The Future and the Past

Detail of carving

Printing image on the Vandercook, using chipboard paper

Printing interior text using metal type

I am excited to post my first blog on this new site! My blogs will mostly consist of news and information about my various studio and print shop projects. Occasionally, I will post info and images about inspirational sources. So, stay tuned!

After some thought, I will begin this blog by sharing my final letterpress project for 2015 - my annual Christmas card! I have been making a card since 1985. It is a tradition that brings me joy since I am such a lover of 'snail mail'!

I have been exploring bird imagery through drawing and print for a couple of years. Consequently, I decided to use a bird image on this year's card. Additionally, I am most disturbed by the violence occurring in our world. I combined a mourning dove reduction linocut print with a bit of handset metal type. Take a look at the end result!

Printing second color on the dove

Completed cards ready to send - satisfaction!